Amidst the bustling ambiance of Palm Beach, this compelling portrait emerged, capturing the essence of my youthful excesses and the intensity of that time. The face, especially the eyes, serves as windows into a soul oscillating between extreme lust for life and an underlying fear of it. Although the painting underwent a transformation through partial overpainting in 2013 to temper its rugged wildness, the original spirit of the artwork still pulses strongly within it. This artwork serves as a reminder that some experiences, despite the desire to paint over them, forever remain an integral part of our essence.

During a sleepless night, driven by intense creative energy, this impressive artwork was created, featuring the head in its largest dimensions to date.

Inspired by the rhythmic sounds of the song of the same name, this painting reflects the eternal question of the true meaning of love. Music and art merge here into a harmonious unity, with each note and brushstroke exploring the complexity and depth of human emotions. The artwork invites the viewer to contemplate the many facets of love and lose themselves in the universal sounds of affection and longing.

Inspired by the haunting song, the artist created a work that captures the duality of clarity and confusion, sobriety and intoxication. The melody and lyrics of the song evoke feelings of melancholy and reflection, which are reflected in the colors and shapes of the painting. It is a representation of the inner struggle to balance the contrast between the pursuit of mental clarity and the tempting distractions of life. The artwork invites the viewer to delve into their own moments of introspection and self-discovery.

In ‘White Man,’ the recurring motif of ‘The Head’ makes a return. The faintly suggested blue background reflects an atmosphere of ambivalence and uncertainty. The piercing blue eye at the center of the image penetrates the surroundings in search of clarity and truth. In contrast to previous interpretations of ‘The Head’ from the years 1973 and 1995, this artwork presents itself in a more restrained color palette, leaving space for introspective reflection.

“The Healer” is a powerful representation of the human spirit’s resilience in the face of unexpected and significant events, such as illness, that can turn our lives upside down. The artwork serves as a reminder that when the human mind is nourished by hope and trust, it possesses incredible resilience and healing power. It symbolizes trust, hope, and an unwavering belief in the possibility of healing. The dance depicted in the artwork represents life itself, with its rhythm of illness and recovery, despair and hope. The image serves as a poignant reminder that the human spirit, when nourished by hope and trust, possesses remarkable resilience and the capacity for healing.

A clown symbolizes playfulness and light-heartedness, even in difficult times. Although often seen as entertainers, they carry profound wisdom and perspectives. This artwork encourages us to occasionally see through the eyes of the clown and realize that it is sometimes wise to listen to their alternative viewpoint. It is a call to view life with a touch of humor while also appreciating the depth beneath it.

A kaleidoscope of emotions that captures the tumultuous moments of a wild era. This work embodies the raw, unfiltered memories of times of abundance and excess. The dynamic structures and colors of the artwork symbolize mental expansion and an insatiable desire to go beyond established boundaries. “Pingi” is not only an ode to the past but also a reminder of the importance of forging one’s own path and staying authentic. The artwork celebrates moments of breakthrough and self-discovery that shape and define us.

In this depiction, the recurring motif ‘The Head’ is reinterpreted to convey feelings of disappointment and distrust. The intense imagery portrays an internal struggle and hesitation about whether to trust someone. Despite the familiar base form of the head, this artwork represents deeper emotions and doubts that reflect the human experience of broken trust and insecurity. It is a powerful statement about the complexity of human trust and the challenges it presents.

“This artwork conveys deeply felt sadness and the ominous foreboding of the dissolution of a marriage.”

“I am afraid to see what is coming” This version of “The Head” is permeated by a noticeable heaviness. The individual gaze of the eye, which is present throughout the “Head” series, is particularly intense here, almost as if it could glimpse into the future and be overwhelmed by what it sees. The dark tones and shades of the painting convey an atmosphere of uncertainty and discomfort. The head appears both curious and hesitant, as if it wants to know the truth but also recoils from it.

When love ignites, it burns with an unparalleled intensity, as I experienced with Petra. However, fire, in its passionate fervor, also carries the potential for destruction. It symbolizes both the overwhelming warmth of a new relationship and the dangers that can unfold when emotions run unchecked. This artwork reflects the tightrope walk between blazing passion and the necessary control to maintain balance in love.

This artwork presents itself as an independent oil painting and is not part of the previously mentioned “Rita” series.

This artwork is not a depiction of liberation, but rather a profound testament to a painful separation from a beloved person, my wife.

Hope is a powerful feeling that keeps us going even in the toughest times. The artwork “Hope” visualizes this profound, unwavering force that drives us forward even when everything seems lost.

For me, the act of dancing embodies more than just physical movement. “Dance” symbolizes the bold, the eccentric, the unconventional. It’s an invitation to go beyond one’s limits, to shed those invisible bonds that hold us back. In a world where many are trapped in their routines and fears, “to dance” is a powerful act of rebellion and self-discovery. It is the inner call to seize the moment and follow the heart, even when the path is uncertain.

“Lovely Rita Meter Maid” is a delightful artwork inspired by a Beatles song, representing a playful and liberating approach to art. Unlike deeper, more contemplative works, this piece is an ode to lightness and the joy found in seemingly mundane things. The process of digitization and individual hand-painting of each print demonstrates an innovative approach to art production. While it’s based on a humorous song, this artwork also showcases the artist’s continuous evolution and willingness to experiment. It serves as both a homage to the Beatles and a reflection on the fusion of traditional and modern art.

This artwork explores deception and the feigning of emotions and intentions in interpersonal relationships. It sheds light on how people can consciously or unconsciously harm others, whether in love or in business. The heedlessness of these deceptions and their potential consequences are central aspects of the work that encourage the viewer to reflect.

After years of searching and inner restlessness, I arrived at a point of inner contentment and balance. While the song “I can’t get no satisfaction” by the Rolling Stones from the 1960s symbolized rebellion and dissatisfaction and strongly influenced me during that time, this painting represents a transformation. It signifies a reevaluation and a new understanding of the concept of “Satisfaction.” Where once dissatisfaction and revolution prevailed, the artwork now conveys the realization that true satisfaction lies in acceptance and inner peace.

In life, we all yearn for reliability and support, especially from those closest to us. This artwork explores the intensity of the desire to have a reliable partner by one’s side, someone on whom you can unconditionally rely. However, the depth of this need also carries the potential for deep disappointments if expectations are not met. The painting conveys the complex interplay of trust, dependence, and the resulting vulnerability.

Drugs, seductive catalysts of illusion, lure into an ephemeral world of apparent happiness. However, they often conceal true pain and reality. Despite numerous temptations in my life, I have never ventured into this deceptive reality. This work reflects the duality of temptation and loss of reality that such substances bring. It is a commitment to preserving clarity and refraining from fleeting escapism.

During the rebellious 1960s, Che Guevara symbolized for us the revolutionary and freedom fighter. Driven by his iconic image, which Andy Warhol immortalized in his art, I was inspired to interpret Che Guevara’s portrait in my own style. It is a reflection on history and personal perception, merged in art.

This painting illustrates the eruptive spirit of youthful rebellion. It captures the stormy impulse of an adolescent child who rebels against entrenched norms and expectations. The depicted revolution is not only political but also personal, a symbol of inner struggle, restlessness, and the pursuit of self-identity in this complex phase of life. It is a powerful portrait of youthful contradiction, depicting the tensions and conflicts between the individual and society. The color scheme and texture of the work convey the feeling of a simmering upheaval, the constant need to resist conformity and expectations. ‘Revolution’ serves as a metaphor for the complex and often conflicting path to self-discovery and self-expression that every teenager goes through.

Since 1973, this iconic representation of a head has fascinated and accompanied me. Like a recurring motif in a musical piece, the head has manifested itself in my works time and time again, each time in a new and evolved form. In this particular representation, I have chosen a reduced and puristic expression. The deep blue background, far from distraction, symbolizes clarity, sobriety, and the unobstructed mind. It is a tribute to the constant search and discovery, to transformation, and to the infinite possibilities of artistic expression.

“Annemarie” marks a pivotal moment in my life journey. Earlier, driven by an impulsive desire for independence, I avoided the responsibility of having a family. This yearning for freedom led to the end of my relationship with Flavia. However, Annemarie, a mother of two children, had a frank conversation with me and taught me how beautiful it is to have children in one’s life. Shortly thereafter, she left me and paved the way for Petra and her two children, through which I discovered the warmth of family life. So, the painting not only reflects Annemarie’s essence but also the profound transformation she brought into my life.

This work revisits the central theme of ‘The Head,’ but in a refined drawing technique where multiple heads are layered on top of each other. The painting offers a deep reflection on the phenomenon of schizophrenia, the complex fragmentation, and the multifaceted identities that people confront. The depiction of multiple overlapping heads provides insights into the labyrinthine paths of the human mind and raises questions about our true identity and the nature of the self.

This depiction is an introspective journey into the turbulent times with Danielle, marked by deep love, separations, and a constant ebb and flow of emotions. With the passage of time, one often gains a new perspective. The painting reflects this realization that some things that once seemed overwhelming lose their weight over time and appear in a more serene light. It is a tribute to the transformative power of time and the ability to mature and gain insight.

The title plays with Warhol’s fascination with the representation and manipulation of image and identity. By questioning such simple yet profound details as the color of Warhol’s hair, the artist emphasizes the ambiguity and multifaceted nature of the person behind the image. The artwork is an exploration and a tribute to Warhol’s influence and enduring presence in the art world. It reflects the admiration and the artist’s constant endeavor to capture the depth and complexity of such an influential individual.

This powerful message conveys deep insight into the destructive nature of fear. Fear, often unfounded and imaginary, can consume the essence of our being and paralyze us. The artwork admonishes us to combat such fears and negative thought patterns before they become manifest and real. It is a call for self-reflection and active resistance against inner demons in order to preserve our soul.